DYEING OMBRE – Easy step by step with lots of pictures to show you how.

Teeswater locks, dye, cloth for spills, jar for mixing dyes and kettle boiling, with dye-pot on the cooker.

Tie the locks together and insert a skewer under the tie with the locks hanging free

Tie the locks together and insert a skewer under the tie with the locks hanging free

Coffee brewing plus snack

Coffee brewing plus snack

Small amount of water in the pot , add mixed dye so that the tips of the locks are in the dye mix.

Small amount of water in the pot , add mixed dye so that the tips of the locks are in the dye mix.

See the dye - line ....This is stage one.  Allow the dye to saturate the tips of the locks

See the dye – line ….This is stage one. Allow the dye to saturate the tips of the locks

Interruption no. 1.  A little chocolate thief.

Interruption no. 1. A little chocolate thief.

The dye is starting to take on the locks - time to add more water.

The dye is starting to take on the locks – time to add more water.

Add more boiling water - about 3 cups full for stage two

Add more boiling water – about 3 cups full for stage two

Time for coffee and chocolate!

Time for coffee and chocolate!

Add some citric acid or vinegar to help the dye take.

Add some citric acid or vinegar to help the dye take.

Interruption no.2 - the rumours of chocolate has spread...

Interruption no.2 – the rumours of chocolate has spread…

The ombre look is starting to show and the dye mix in the pot is a lot more dilute.

The ombre look is starting to show and the dye mix in the pot is a lot more dilute.

Add more water, until the locks are as immersed as you want them . I wanted to keep the ends white, or I would have fully immersed the locks at this stage

Add more water, until the locks are as immersed as you want them . I wanted to keep the ends white, or I would have fully immersed the locks at this stage

The finished locks - ready to rinse and dry.

The finished locks – ready to rinse and dry.

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I couldn’t help myself… here’s a quick tutorial on a lockspun yarn.

So, I promised a tutorial on how to spin a super bulky single thick and thin yarn…. It’s in the post – promise!

What happened?  Well, I’ve been washing wool, fleeces and fleeces going through the process, and I’ve put myself on a spinning ban until I had made some headway.  It was totally necessary, since the backlog of unprocessed fleece was creating a household problem.  No space to move, and a sheepy smell lingering in my hallway.  Lingering?  Ok, I’m kidding no-one, and my kids were getting a little outspoken about it.  My guests were more diplomatic, but it was still mentioned. So, once I’ve washed a few fleeces that are now happily drying – and hoorah, today is sunny and beautiful, so outdoor drying will happen – I sat down to spin.  And oh, I had this beautiful bundle of hand dyed Teeswater locks, calling my name.

I couldn’t resist.  I simply have to floof them out and turn them into a yarn.  It is just an ordinary lock-spun yarn, but these yarns are so beautiful, since they use the natural curl and length of the locks to create texture. Here’s a little how-to if you happen to have some locks, and want to give this a try. Although this is not a complicated yarn to make, I do want to say this is not really a beginners yarn.  I think it helps having your draft and twist under control before you attempt a lockspun yarn, otherwise you may end up with something that doesn’t hold together.  There’s actually not a whole lot of drafting happening, however, the occasional tug and pull has to take place to prevent huge clumpy underspun bits. Most longwool types with good definition works for this yarn:  Teeswater, Wensleydale, Mohair, Gottland… oh, short attention span in this sentence, but I have some gloriously soft shearling Gottland waiting too… now where was I ..?  Yes!  Longwool.  Don’t be restricted by my list.  If you have a longwool type at hand, go on and try making this yarn.

Step one:

Fluff your fleece.  Pull the fleece slightly apart, and take a good handful of locks out to flick card, so that you can add them for longer textures throughout your spin.  Hold on to that lock at the end, hold on to the fleece, and pull.

I used some different locks here to show you the process, as the first pics were a bit blah.

How to separate a lock

How to separate a lock

Flick card the ends of the locks to give the fiber a place to grip onto your yarn in the making.  I use a dog brush.  The main thing to remember is to hold that lock tightly, to keep it’s lovely structure, and to use a flick, flick, flick motion with your chosen brush.

Use a flicking motion. And hold onto that lock very firmly

Use a flicking motion. And hold onto that lock very firmly

And spin.  Add your flicked locks at a 45 degree angle.  The twist is in the process of grabbing and securing this lock onto my yarn.

Add the lock by holding at 45 degree angle.  This leaves a tail bit hanging and spices up the bits where locks are scarce, or drafting evened your wool out too much.

Add the lock by holding at 45 degree angle. This leaves a tail bit hanging and spices up the bits where locks are scarce, or drafting evened your wool out too much.

Spinning some more, keep going….

spin spiiiiiiin a bit of drafting, a bit of allowing locks to pass through your fingers for that gorgeous curly texture…

Spin, spin….

DSC_0792 DSC_0785

And TADAAA!  Here’s a lockspun yarn on the skein winder.  Waiting for a post-spun wash.

And here it is, textured,  natural, and allowing the characteristics of your longwool to shine through.

And here it is, textured, natural, and allowing the characteristics of your longwool to shine through.

If you want to see more handspun yarns art yarns, or some goreous hand dyed locks for your new project, head on over to my etsy shop at http://www.etsy.com/shop/clovetree

Art yarns like this one are great to embellish a knitting or crochet project, and awesome to weave with.

Creative Hiatus? Not quite….

Seeing the potential...

Seeing the potential…

I love what I do. So then why am I feeling a little frustrated with myself at the moment?  I am so excited about working towards an exhibition with two other artists, I have wool, skill and ideas. I am not creating… This is my present debacle.  Well.  Not entirely true – I am busy knitting myself a jumper out of hand spun yarn and it will be chunky, beautiful, warm and mostly green.  I am also in the process of knitting up some socks from my hand spun.  I’m testing out Dorset Down wool.  I have quite  a lot of it, and will dye some for selling to spinners specifically those who want to make sock yarn. I am also spinning some awesome soft yarn for bedsocks for myself, out of a merino camel blend that I hand painted.  This is purely a luxury item.  And an absolute treat to spin – I splashed out on a little Snyder spindle last year.  Great spinning tools really turn a pleasure into something totally luxuriously delicious! But still I’m feeling a little antsy…  I’ve been mulling this over in my head, wondering whether I’ve finally encountered creative block.  Then suddenly I realised that I simply have no time at the moment!  It isn’t lack of creativity, it is too many other tasks that are getting in the way.  It is ‘that’ time of year.  Fleeces of all descriptions are coming my way, and I have about 50kg in fleece that I have to wash and card before I’m going to have time to spin too much up.  Yep, and then there’s all the dyeing to be done… (poor me, eh?  I love dyeing!)  And then there will be more fleeces on the way.  Plus the house is in an unholy disarray due to all the fleeces.  The hallway is lined with bags of fleece and my box-room door won’t shut anymore.  Ok,this is a real problem.  I may have to call on some friends to help when the fleeces are clean… I had a huge push towards getting some of my fleeces washed and out of the way today.  Realising that I can get back to spinning some art yarns as soon as I’ve made some space had given me huge incentive to work my way through the wool, and I am planning an awesome tailspun yarn with super-duper long Lincoln locks. And the thought of that gorgeous yarn has wiped all of the doubt from my mind, I’m feeling the inspiration, and impatience to get started.  Plus, my mind has jumped to the exhibition, and I now have a whole host of projects.  Every fleece I’m washing has a purpose or potential. I love what I do!

Wool of the day.

What a day!  (week?)

 

Did my first craft fair in ages, and decided to show some of my handspun and hand-dyed yarns along with my felted goodies.

Of course colour is my first love, and I had a blast dyeing, mixing, re-dyeing, dip-dyeing, splashing, pouring and spinning.  I discovered the trick of core-spinning and Navajo plying my yarns – a process that makes my poor old spinning wheel groan under the strain of super-chunky yarns.  So, I will have to look into some new spinning accessories.  It seems to me that my growth as yarn-maker comes with a price-tag… every time. (Groan!)

I’m particularly chuffed with my handspun silks.  The graded colours are lovely, random and the silk just sings.  Very difficult to photograph silk’s secrets – it seems to throw light at my lense, although the naked eye doesn’t quite perceive the silk in that way.

I’m contemplating selling these on Etsy.  What do you think?